@ Free PDF The Architecture of Productive Learning Networks, by Lucila Carvalho, Peter Goodyear

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The Architecture of Productive Learning Networks explores the characteristics of productive networked learning situations and, through a series of case studies, identifies some of the key qualities of successful designs. The case studies include networks from a variety of disciplinary and professional fields, including graphic design, chemistry, health care, library science, and teacher education. These learning networks have been implemented in a variety of settings: undergraduate courses in higher education, continuing professional development, and informal networks for creating and sharing knowledge on a particular topic. They are rich in reusable design ideas.

The book introduces a framework for analyzing learning networks to show how knowledge, human interaction and physical and digital resources combine in the operation of productive learning networks. The book also argues that learning through interaction in networks has a long history. It combines ideas from architecture, anthropology, archaeology, education, sociology and organizational theory to illustrate and understand networked forms of learning.

• Sales Rank: #3110940 in Books
• Published on: 2014-03-06
• Released on: 2014-03-19
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .71" w x 6.00" l, .0 pounds
• Binding: Paperback
• 312 pages

Review

"Since the dawn of history, networks have been the primary source of learning. In this volume, the reader will learn about how technological innovations extend and reconfigure opportunities for networking in unexpected and exciting directions. A most welcome account of how we may design future learning."

--Professor Roger Säljö, Director of the Linnaeus Centre for Research on Learning, Interaction and Mediated Communication in Contemporary Society (LinCS), University of Gothenburg, Sweden

"In this important new work, Carvalho and Goodyear deepen our understanding of ‘learning networks as assemblages of tools, artifacts, people, ideas and practices.’ The text succeeds in extracting important architectural patterns of productive network activity, thereby helping us to re-contextualize social learning practices of the past and create new, emergent learning possibilities for our networked lives."

--Dr. Terry Anderson, Professor in Distance Education, Athabasca University, Canada; co-author of Teaching Crowds: Learning and Social Media

"Carvalho and Goodyear fuse learning theory and architecture in a stimulating exploration of how to design networks for social learning. I recommend it to anyone who wants to understand or invent the future of learning."

--Dr. Mike Sharples, Professor of Educational Technology, The Open University, UK; Academic Lead at Futurelearn

"This volume offers a fresh prospect on networked learning, drawing on architectural imagining as a leitmotif. I recommend it to all designers of instructional systems--it will change the way that you think about what you do."

--Timothy Koschmann, Southern Illinois University

"It is exciting to read the case studies about the designs (architectures) for productive Learning Networks that have been used for a variety of topic areas in Australia, Mexico, the Netherlands, and around the world. A valuable collection for online teachers and researchers that illustrates how particular design solutions facilitate and shape learning activities and outcomes."

--Starr Roxanne Hiltz, author of The Virtual Classroom: Learning Without Limits via Computer Networks (1994), and co-author of Learning Networks (1997) and Learning Together Online (2005).

"The Architecture of Productive Learning Networks brings together an intriguing and insightful set of ideas and concepts to develop an architectural framework for analysing learning networks design. The book is full of fascinating case study examples to which the framework is applied. Each case study is written by experienced networked learning researchers and designers. The book editors assist the reader throughout the book with their thoughtful introduction to the framework and synthesis of the case studies. They draw on an array of valuable ideas that offer new ways to theorise and generate knowledge for design. This book is definitely a welcome and important addition to the field of networked learning and design for learning."

--Vivien Hodgson, Professor of Networked Managment Learning, Lancaster University Management School, UK

About the Author

Lucila Carvalho is a Postdoctoral Research Associate in the CoCo Research Centre at the University of Sydney, Australia. Her PhD combined research in design, learning technology and the sociology of knowledge. She has studied and carried out research in Australia, New Zealand, the UK and Brazil. She has presented her work at various international conferences in the fields of education, sociology, systemic functional linguistics, design and software engineering.

Peter Goodyear is Professor of Education, Australian Laureate Fellow and Co-Director of the CoCo Research Centre at the University of Sydney, Australia. He has been carrying out research in the field of learning and technology since the early 1980s, working in the UK, Europe and Australia. He has published eight books and over 100 journal articles and book chapters.

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** Ebook Cinema and Language Loss: Displacement, Visuality and the Filmic Image (Routledge Advances in Film Studies), by Tijana Mamula

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Cinema and Language Loss provides the first sustained exploration of the relationship between linguistic displacement and visuality in the filmic realm, examining in depth both its formal expressions and theoretical implications.

Combining insights from psychoanalysis, philosophy and film theory, the author argues that the move from one linguistic environment to another profoundly destabilizes the subject’s relation to both language and reality, resulting in the search for a substitute for language in vision itself – a reversal, as it were, of speaking into seeing. The dynamics of this shift are particularly evident in the works of many displaced filmmakers, which often manifest a conflicted interaction between language and vision, and through this question the signifying potential, and the perceptual ambiguities, of cinema itself.

In tracing the encounter between cinema and language loss across a wide range of films – from Billy Wilder’s Sunset Boulevard to Chantal Akerman’s News from Home to Michael Haneke’s Caché – Mamula reevaluates the role of displacement in postwar Western film and makes an original contribution to film theory and philosophy based on a reconsideration of the place of language in our experience and understanding of cinema.

• Sales Rank: #5637324 in Books
• Brand: Brand: Routledge
• Published on: 2012-11-21
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .69" w x 6.00" l, 1.20 pounds
• Binding: Hardcover
• 300 pages

Features

• Used Book in Good Condition

Review

"Cinema and Language Loss is an extremely original, brilliantly argued, and persuasively developed work. It is written with wonderful lucidity, authority, and power, accomplishments made even more impressive by the extreme complexity of its subject matter and critical approach... The author's work on Freud and Kristeva should do much to open a new field on the importance of semiotic and linguistic approaches to film studies. The book should establish an immediate place for itself in critical film theory and philosophy, but of even greater importance is the place it should establish for itself in the opening of this important new approach based on a reconsideration of the relationship to language of our understanding of film." --Sam B. Girgus, Vanderbilt University, USA

"[Cinema and Language Loss] takes a novel approach to the topic [of migrant cinema] and expands our notions of how linguistic displacement is experienced cinematically... Mamula is an erudite writer, who is also clear and persuasive in her argumentation. She marshals an impressive amount of theory - from Freudian psychoanalysis, Kristevan semiotics, Bergson, Deleuze, Pasolini and various other film theorists and practitioners - to develop an original approach to the role of language and visuality in processing perception and memory during dislocation from the familiar and known." --Eva Rueschmann, Hampshire College, USA

About the Author

Tijana Mamula teaches Film Studies at John Cabot University in Rome, Italy.

 

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^^ Download Ebook Jokes My Father Never Taught Me: Life, Love, and Loss with Richard Pryor, by Rain Pryor

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The loving yet brutally honest memoir of the daughter of comedy legend Richard Pryor

Rain Pryor was born in the idealistic, free-love 1960s. Her mother was a Jewish go-go dancer who wanted a tribe of rainbow children, and her father was Richard Pryor, perhaps the most compelling and brilliant comedian of his era.

In this intimate, harrowing, and often hilarious memoir, Rain talks about her divided heritage, and about the forces that shaped her wildly schizophrenic childhood. In her father's house, she bonded with Richard's grandmother, Mamma, a one-time whorehouse madam who never tired of reminding Rain that she was black. In her mother's house, and in the home of her Jewish grandparents, Rain was a "mocha-colored Jewish princess," learning how to cook everything from kugel to beef brisket.

It seemed as if Rain was blessed with the best of both worlds, but it didn't quite work out that way. Life at Mom's was unstable in the extreme, while at Richard's place Rain was exposed to sex and drugs before she had even learned to read. "Daddy," she told her father one day, sitting down to Thanksgiving dinner at the advanced age of eight, "the whores need to be paid."

Jokes My Father Never Taught Me is both lovingly told and painfully frank: the story of a girl who grew up adoring her father even as she feared him—and feared for him—as his drug problems grew worse. In 1980 Pryor tried to kill himself by setting himself on fire, then joked that it had been an accident: "No one ever told me you couldn't mix cookies with two types of milk!" In his later years, Pryor succumbed to multiple sclerosis, and Rain watched in tears as her father became a shell of his former self. Once, in an unusually introspective mood, Pryor asked his daughter, "Why do you love me, Rainy, when I can be so mean?"

Jokes My Father Never Taught Me answers that poignant question and many more. It is an unprecedented look at the life of a legend of comedy, told by a daughter who both understood the genius and knew the tortured man within.

• Sales Rank: #1978129 in Books
• Brand: Pryor, Rain/ Crimmins, Cathy
• Published on: 2007-10-16
• Released on: 2007-10-16
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .59" w x 6.00" l, .75 pounds
• Binding: Paperback
• 224 pages

From Publishers Weekly
Here's a rambling, warts-and-all look at life with Richard Pryor, the beloved comedy iconoclast whose public success masked a private life brimming with alcohol, drugs, violence and paranoia. Written by his 37-year-old daughter, this family biography chronicles her first meeting with her father at age four, Richard's role as a wayward family man (he had seven children by a number of different women), his struggle with MS, and his 2005 death. Amid less interesting snapshots of her own life-including her work as an actress-Pryor offers a bold but sympathetic portrait of her "misogynistic, mercurial, unpredictable, and violent" father that's as fascinating as it is conflicted: "That was life with Richard Pryor. Sex and violence, punctuated by rare moments of family happiness." In addition, Pryor takes readers behind the scenes of Richard's career; into the "weird sort of Richard Pryor Fan Club" made up of ex-wives, ex-girlfriends and their children; and down Richard's frightening path to debilitating illness. Vital, entertaining and appalling, Pryor has fleshed out a familiar dysfunctional family refrain-"It was a lot easier to love him if you didn't know him"-with bravery and wit.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author

Rain Pryor was a regular on the hit ABC series Head of the Class, starred in the Showtime series Rude Awakening, and created an award-winning one-woman show based on her life, Fried Chicken and Latkas. She lives in Baltimore, Maryland.

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9 of 10 people found the following review helpful.
Similar and Different from Rebecca Walker
By Jeffery Mingo
Rain Pryor must have said to herself, "If Rebecca Walker can write a book, then so can I!" Both Rain and Rebecca are Black, Jewish women. They are both the children of a famous person and of a divorced family. Rain describes Richard Pryor's abuse and addiction; Rebecca describes Alice Walker's naive negligence. However, Rebecca's memoir is serious and "high" in nature; Rain's is a text that anyone can pick up and speed through. Rebecca only includes a photo of herself on the cover of her book; Rain is shown with her father. Rebecca's book has no other photos; Rain's is filled with them and that makes for its page-turning nature. Rebecca centers herself whereas Rain speaks of her father 85% of the time. Rebecca ends her book when she finishes high school; Rain describes her life until her father's death. (Rebecca goes on to Yale and Rain suggests she never went to college.) Though the two books have different aims, they are worthy in their own ways.

Rain admits that she is an actress and not a writer. She is no Toni Morrison, but her words and experiences are still valuable, entertaining, and insightful. Rain says despite being on "Head of the Class," she ended up doing construction work and Miss Cleo-like telephone service. This reminds me of how Eric Estrada said he struggled after "C.H.I.P.S." and Bob Crane went downhill after "Hogan's Heroes." Hollywood is fleeting, despite the Julia Roberts and Will Smiths on the screen.

As much as domestic abuse makes people cringe, this book was scant on the extent of Richard Pryor's nastiness. The film "What's Love Got to Do with It?" suggests that Ms. Turner went into detail about how Ike mistreated in "I, Tina." Rain just says, "He abused me" and later in the book she mentions one instance of being hit. I think people may have a better view of Richard's being a hot mess if she said more. Rain repeats, "He's the only father I had, so I love him regardless." I think may abused children will relate. She also said her own marriage was rocky, soon after it started. She never answers whether she and her husband divorced. She never questions whether her father's numerous unstable marriages affected her own.

8 of 8 people found the following review helpful.
Surprisingly good!
By Whatshername
Without even taking into account the quality of most "offspring of celebrity" books, this was a very good read! It was touching and insightful, not just a wild and shocking account of Richard's life. (which by all accounts would have filled a book easily) I would recommend it for anyone who likes entertainment/show business memoirs.

3 of 3 people found the following review helpful.
Heartwarming and Powerful!
By MarlyCate
Candid, well-written and an easy read. Language is a bit rough - uses F--k a bit much, but so did her father.

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A New Orleans lady and a half-breed frontiersman become unlikely allies as they travel the wilds of texas.

In 1821, when circumstances make it impossible for her to remain in New Orleans, Dorritt and her family head west to join Stephen Austin's settlement and recoup their fortune in Texas.

Quinn is a man of the frontier who has made a name for himself as a peerless scout. But as he and Dorritt's party begin a grueling trek across untamed Texas, the success of their journey is in grave doubt. Mexico has broken with the Spanish Crown, and armies from both countries—plus marauding Comanches—roam the pine forests and prairies. And one of the party is plotting destruction.

Now, with their lives joined in a virgin land fraught with peril, can Dorritt and Quinn put all their trust in God and receive the desires of their hearts?

• Sales Rank: #1945975 in Books
• Published on: 2009-02-10
• Released on: 2009-02-10
• Original language: English
• Number of items: 1
• Dimensions: 7.99" h x .79" w x 5.28" l, .54 pounds
• Binding: Paperback
• 306 pages

Review
“A tale of emancipating love—the kind that comes only by surrendering to the will of a higher Master. History, inspiration, and imagination at its best!” (Kathy Herman, author of the Baxter, Seaport, and Phantom Hollow Series)

“A galloping adventure of romance, historical drama, and intrigue.” (Louise M. Gouge, author of Then Came Love)

“With fast action and powerful emotions, Lyn Cote tells a story you’ll remember long after the last page.” (Lorena McCourtney, author of Your Chariot Awaits)

“A pitch-perfect historical Western.” (Sandra Byrd, Christy Award-winning author of Let Them Eat Cake)

“Will captivate historical romance readers.” (Library Journal)

From the Back Cover
Description In 1821, Dorritt Mott is a woman ahead of her time. When events make it impossible for her family, including an overbearing stepfather and a spoiled half-sister, to remain in New Orleans, they head to Texas to join Stephen Austin's settlement and recoup their fortune in virgin Texas. Quinn, half-breed son of a Cherokee mother and an American father, has made a name for himself as a scout and a man not to be taken lightly. When the New Orleans lady and the half-breed frontiersman meet, they become unlikely allies as they travel the wilds of Texas. But will their trek be in vain? Mexico has broken with the Spanish Crown that had granted Austin land. And both armies plus marauding Comanches roam the pine forest and prairie of Texas. And though they are unaware of it, there is a closer danger, a man who is plotting destruction and who will try to make Dorritt and Quinn pawns in his scheme. Can Dorritt help Quinn put all their trust in the God who has promised that those that delight in Him shall be given the desires of their hearts? Will Dorritt believe that promise?

About the Author

An award-winning author of both contemporary and historical inspirational romance, Lyn Cote is an active member of RWA and the American Christian Fiction Writers. A 2006 RITA Award finalist for Best Inspirational, as well as a finalist for the HOLT Medallion and the National Readers Choice Award, Lyn lives with her husband in Wisconsin.

Most helpful customer reviews

1 of 1 people found the following review helpful.
A decent historical romance, more like 3.5 stars
By Michelle Sutton
For the most part this was a good story. It kept my interest more than lost it. But there were some things that made it a bit challenging. Like sometimes the sentence structure didn't make sense. Also, the characters would say things and do things that didn't fit the era they were in. That kind of stuff tends to bug me. Like use of expressions that didn't exist in speech in that time period.

There is also the issue of characterization, and some of the people were pure evil. Usually even the bad guys have vulnerable spots and I didn't see that with two of the characters who always gave Dorritt a hard time. I did admire Dorritt but I question whether or not she would have been allowed to act the way she did toward the slaves without negative consequences. It made her heroic but lost some believability at the same time given how harshly her stepfather treated their slaves.

But on the plus side the romance was pretty intense at times. The author knows how to write a yummy kiss and leads up to it very well. But toward the very end there was another issue that is hard to share without giving away any key plot points, but it did seem a bit unresolved. Several people were in perilous situations that went unresolved, so you don't know what happened to them. Did the guy die? Did the other guy ever get out of jail? Stuff like that.

Overall I enjoyed this story more than not. Though I did mention more downsides, I have to say that this author does know how to write a good romance, which is why I finished the book. Maybe she should just stay away from historical romances and stick to contemporaries.

1 of 1 people found the following review helpful.
interesting "Era of Good Feelings" Americana romance
By Harriet Klausner
In 1821 twenty-five years old spinster Dorritt Mott fears her stepfather Mr. Kilbride is up to his usual no good, but this time her clenched gut expects the worst. She proves right when she learns he gambled away her family's Belle Vista Plantation that he has lived off of while she ran it. Knowing he must flee from New Orleans, he informs his extended family they will leave for the Texas Territory where they can claim land and start over. Dorritt would like to go her own way, but knows her pampered mom and her spoiled sister Jewell whose fiancé dumped her need her.

Dorritt knows Mr. Kilbride is an amoral moron who will vanish at the first inkling of trouble; from what she knows of the trek from Louisiana to Texas it is very dangerous. She prefers to depend on wagon train half-breed scout Quinn and God than Kilbride. However, as her attraction for the half Cherokee grows, she learns once again a man cannot be trusted as he has business yes with Kilbride.

The opening Texas Star of Destiny tale is an interesting "Era of Good Feelings" Americana romance. Although Mr. Kilbride, his wife and Jewell are too stereotyped, Dorritt and Quinn are fully developed intriguing lead characters. Fans will relish this fine tale of a feisty female defying the expected role of a Louisiana aristocrat in life and in love.

Harriet Klausner

1 of 1 people found the following review helpful.
Sexy western hero and believably strong heroine
By Heather Diane
I really enjoyed this peek into early Texas history. I especially appreciated the author's attention to the different cultural attitudes about race and other issues that would have been in conflict (well, still are) in the melting pot of Texas. I liked that the heroine was strong without coming across as being inappropriate for her time period, and I found the hero very attractive :) Definitely recommended as a fun read for those who like western romance.

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>> PDF Download Boys Will Be Boys: The Glory Days and Party Nights of the Dallas Cowboys Dynasty, by Jeff Pearlman

PDF Download Boys Will Be Boys: The Glory Days and Party Nights of the Dallas Cowboys Dynasty, by Jeff Pearlman

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Boys Will Be Boys, author Jeff Perlman’s rollicking, completely unabashed account of the glory days of “America’s Team”—the NFL Dallas Cowboys of the 1990s—was a New York Times bestseller in hardcover and selected by GQ as one of the Best Books of the Year. The uncensored exploits of Michael Irvin, Deion Sanders, Emmitt Smith, Troy Aikman, and the rest of the ’Boys on and off the football field, Boys Will Be Boys makes for riveting, shocking, often wildly hilarious reading.

• Sales Rank: #154510 in Books
• Brand: Pearlman, Jeff
• Published on: 2009-08-18
• Released on: 2009-08-18
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .95" w x 5.31" l, .72 pounds
• Binding: Paperback
• 416 pages

From Publishers Weekly
In his latest effort, Pearlman (The Bad Guys Won!) tells the story of how the Dallas Cowboys went from being a league doormat to a Super Bowl–winning machine. It's the cast of characters that makes this story a page-turner, starting with controlling owner Jerry Jones; all-business coach Jimmy Johnson, who would cut a player without blinking; and star players Troy Aikman, Michael Irvin, Emmitt Smith and Deion Sanders. Pearlman explores the many other people who bought into the philosophy that if you were going to be a Dallas Cowboy... you needed to live the life—and that meant, in the early '90s, plenty of infidelity, cocaine, nightly trips to gentleman's clubs and hangovers at practice. Pearlman interviewed nearly 150 members of the Cowboys organization for the book, but much of the terrific detail comes from such tangential folks as journalists, players' wives and staff at the local Cowboys restaurant. The anecdotes range from uplifting (the heartwarming story of quarterback Troy Aikman granting a wish to a dying boy) to raunchy (defensive end Chris Haley, while playing for the 49ers, often masturbated in the locker room). In the end, Pearlman has produced a narrative that is as entertaining as it is insightful. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
In February 1989, Jerry Jones bought the Dallas Cowboys, immediately fired the iconic Tom Landry, and hired Jimmy Johnson from the collegiate ranks. The team would end the 1989 season with the worst record in the league. In a city that lives and breathes the Cowboys, the natives were restless. But in short order all was right in Big D as the team, led by future Hall-of-Famers Michael Irvin, Troy Aikman, and Emmitt Smith, won three Super Bowls in four years. The on-field success was paralleled by off-field excess. Drugs, strip clubs, orgies, fights, marital infidelities, and, finally, one player stabbing another in the neck with scissors. Pearlman, who seems to revel in the seamy side of sports—his The Bad Guys Won! (2004) was an account of the equally lecherous 1986 New York Mets—interviewed players, coaches, and others while also plumbing print sources. Yes, he dishes the dirt, but he also catches the team dynamic that fostered success as well as the infighting that led to disaster. Informative as well as titillating. --Wes Lukowsky

Review
"Jeff Pearlman has written a rip-roaring book filled with terrific reporting and vibrant prose.... It's a flat-out winner." ---Jonathan Eig, New York Times bestselling author of Opening Day

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53 of 58 people found the following review helpful.
RICK "SHAQ" GOLDSTEIN SAYS: "SCORING ON THE FIELD... SCORING OFF THE FIELD... *COWBOYS-STYLE!*"
By Rick Shaq Goldstein
When the first chapter of a non-fiction football book starts off with future Hall Of Fame receiver Michael Irvin stabbing a teammate in the neck with a scissors... and blood is shooting all over the room... and the intensity of the lurid details... on and off the field... regarding the famed "dynastic" Dallas Cowboys of the 1990's... never lets up for the next three-hundred-fifty-eight pages... you know you've got a great book in your hands. Any true football fan, regardless of what team you root for will want to read this book. There are so many riveting... outlandish... insider... stories... that you will constantly want to stop reading for a moment or two... just to call one of your buddies to tell him what you just read!

This book has it all. From the "humble" beginnings (as far as wins and losses that is... nothing about any of the key individuals in this story could ever be considered humble!) concerning the 1989 Cowboys who had a one-win fifteen-loss season... to the three-time Super Bowl Champions. The author smoothly gives you detailed background information on everyone from owner Jerry Jones to coach Jimmy Johnson to Troy Aikman/Emmitt Smith/Michael Irvin/Nate Newton/Charles Haley/Deion Sanders... and every Cowboy large... small... or in between... who effected the team on or off the field... good or bad. Absolutely no punches are pulled.

From drug busts, that included Michael Irvin and teammate Alfredo Roberts being caught with 10.3 grams of cocaine, more than an ounce of marijuana, assorted drug paraphernalia and sex toys... and oh yea... two strippers... to shocking exposes regarding eventual FIVE-TIME-SUPER-BOWL-CHAMPION Charles Haley who would expose himself... and "pleasure-himself"... in front of teammates in the locker room... training room... and meeting rooms... to famous quotes from players, that truly thought they were above the law, are provided... such as when three-hundred-sixty pound Nate Newton said: "WE'VE GOT A LITTLE PLACE OVER HERE WHERE WE'RE RUNNING SOME WHORES IN AND OUT, TRYING TO BE RESPONSIBLE, AND WE'RE CRITICIZED FOR THAT, TOO."

Did you know that when former Cowboy owner Bum Bright sold the team to Jerry Jones... that one of the conditions of the sale was that Jones had to fire Tom Landry? Landry was probably the most popular man in Texas, but Bright couldn't stand him. How did the Cowboys code of ethics compare to other big name NFL teams? One Cowboy said: "WHEN I WAS WITH THE REDSKINS COACH GIBBS WOULD SAY, "OK FELLA'S, DON'T MESS WITH STREET DRUGS OR STEROIDS, BECAUSE THAT'S NOT HOW WE DO THINGS HERE." COACH JOHNSON ON THE OTHER HAND, WOULD SAY, "DON'T MESS WITH STREET DRUGS OR STEROIDS, BECAUSE THE DRUG TEST IS IN A WEEK AND YOU DON'T WANNA GET CAUGHT." "IT WAS OBVIOUS JIMMY LACKED SOME CHARACTER IN HIS PURSUIT OF GREATNESS."

It's all here in exquisite detail. Nothing is held back. The way players... coaches... and owners... really feel! Who they think is stupid... who is smart... who had courage and who didn't. One Cowboy whose valor won over his team was Troy Aikman, of whom linebacker Garry Cobb said: AS A ROOKIE AGAINST THE CARDINALS AIKMAN "WAS KNOCKED COLD FOR NEARLY FIVE MINUTES BEFORE BEING HELPED OFF THE FIELD. TROY EARNED ALL OUR RESPECT. HE GOT KILLED AND REFUSED TO CRY. I'VE BEEN ON THE FIELD WHEN QUARTERBACKS CRY, AND IT AIN'T PRETTY. DAN MARINO WAS A CRIER - "WHOSE MAN WAS THAT! WHERE'S THE BLOCKING! WHAH!" "BUT AIKMAN - NEVER. AIKMAN WAS A MAN."

The author, Jeff Pearlman, magically, and seamlessly, weaves a story that gives you equal servings of statistical game information... unwavering disections of diverse psychological profiles... including Jerry Jones's jealousies and Jimmy Johnson's insecurities... and the sensitive human backdrop's... such as Michael Irvin... the third youngest of SEVENTEEN CHILDREN... who never had his own bed until college.

I recommend this book highly to any football fan.

0 of 0 people found the following review helpful.
How bout Dem Cowboys...
By Amazon Customer
Was a great read, and even a self professed Cowboys fan like myself learned a lot about a pivitol part of the franchise's history!

0 of 0 people found the following review helpful.
Five Stars
By Jordan Dove
Great book! Go Boys!!!

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** Ebook Free Good Night, Sleep Tight, Don't Let the Bedbugs Bite!, by Diane deGroat

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Gilbert's day camp is going on an overnight trip, and Gilbert expects nothing but fun. But when loudmouthed Lewis tells him about the Camp Hi-Dee-Ho ghost, he can't help but feel a little nervous. He doesn't want his friends to think he's a scaredy-cat, but some spooky noises in the middle of the night might just put him face-to-face with his fears!

• Sales Rank: #703044 in Books
• Brand: Harper Collins
• Model: FBA-|296316
• Published on: 2008-05-20
• Released on: 2008-05-20
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .0" w x 8.00" l, .29 pounds
• Binding: Paperback
• 32 pages

From Publishers Weekly
DeGroat's latest clever caper starring Gilbert the opossum (Roses Are Pink, Your Feet Really Stink) finds the fellow on an overnight trip to Camp Hi-Dee-Ho. He stoically refuses to pack his teddy ("Sleep-away camp is for big kids") and puts up a brave front when big-mouth fellow camper Lewis trots out some typical camp-related taunts, announcing that a ghost haunts Hi-Dee-Ho and calling the lemonade "bug juice." Around the campfire, after an older kid relates the tale of the alleged ghost, Lewis sneaks up on Gilbert and scares him with a loud "BOO!" In the cabin after lights-out, the hero tightly hugs his teddy (which his mother has slipped into his sleeping bag). DeGroat suspensefully prolongs a nighttime trip to the outdoor bathroom along a dark path lined with threatening-looking trees and, in a signature twist, Gilbert gets a chance to give Lewis his comeuppance. Numerous droll particulars, including Gilbert's Martian-and-spaceship-patterned pajamas and the likable lad's hyperbolic facial expressions will keep readers coming back for more. Those anticipating with or without some anxiety an inaugural camp experience especially will revel in this realistic yet reassuring visit to Hi-Dee-Ho. Ages 5-8.
Copyright 2002 Cahners Business Information, Inc.

From School Library Journal
Kindergarten-Grade 2-Gilbert and his friends are back for another cozy adventure, this time on an overnight camping trip. DeGroat's text flows well, carrying the kids from their long bus ride to the campground, through a busy afternoon of activities (quickly summarized) to the real focus of the story: a campfire ghost-story session, with the resulting middle-of-the-night frights and a humorous resolution. The events are believable, and even a bit predictable, but amusing enough to be enjoyable, too. Best of all, Lewis, who enjoys teasing Gilbert, turns out to be more vulnerable than he pretends, while Gilbert gets to take some very gentle revenge. DeGroat's familiar animal cast displays decidedly kidlike characteristics, captured in her watercolor illustrations as well as through conversations and behavior. Their furry faces express anticipation and pleasure as well as worry and fear. Even the illustrations of the setting add to the atmosphere with spooky-looking faces discernible on tree trunks while bright fireflies glimmer mysteriously in the dark. Whether they're already fans or new to the series, young listeners will enjoy this mildly spooky, decidedly satisfying overnight expedition.
Lisa Dennis, The Carnegie Library of Pittsburgh, PA
Copyright 2002 Reed Business Information, Inc.

From Booklist
PreS.-K. The talk on the bus is of ghosts haunting Camp Hi-Dee-Ho, where Gilbert and fellow campers are headed for an overnight. Older camper Lewis takes particular joy in taunting Gilbert, telling him that the fruit juice is really bug juice and calling him "scaredy cat." At lights out, Gilbert is relieved to find his Teddy in his sleeping bag. Clutching his security toy, he finally drifts asleep, only to be awakened by all the juice he drank. More fearful of wetting the bed than of going down the dark path to the bathroom, Gilbert sets out. In his hurry, however, he trips and knocks over some garbage cans. The racket rouses Lewis, who, as Gilbert discovers, isn't as brave as he would like it to appear. DeGroat's expressive watercolors are just right; they capture the eager anticipation, the quiet apprehension, and the fear that little ones can feel on a first overnight away from home. The fact that the campers are all animals is a clever twist. Ellen Mandel
Copyright © American Library Association. All rights reserved

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0 of 0 people found the following review helpful.
Good book...
By Andrea
Good book...

2 of 2 people found the following review helpful.
It's okay to be afraid of the dark
By Midwest Book Review
Written and illustrated by Diane deGroat, Good Night, Sleep Tight, Don't Let The Bedbugs Bite! is a lovely story about young raccoon, skunk, and porcupine children going to sleep-away camp for the first time. With the important moral message that it's okay to be afraid of the dark, yet the power to be brave lies within us all, Good Night, Sleep Tight, Don't Let The Bedbugs Bite! is an excellent and recommended picturebook to prepare young children for the rigors of spending days and nights away from home.

4 of 4 people found the following review helpful.
Cute camp book
By Amazon Customer
Gilbert is a fuzzy critter- -perhaps a possum. One summer, his parents send him off to an overnight at camp. Gilbert is very excited about playing with the big kids at camp, but the big kids tell a ghost story around the campfire, which makes Gilbert very scared. Younger kids may find the book a little scary, but 4 to 6 year olds may find it quite engaging. The book has about 850 words.

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** PDF Download Political Corruption in the Caribbean Basin: Constructing a Theory to Combat Corruption (Studies in International Relations), by Michael W

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Political corruption in the Caribbean Basin retards state economic growth and development, undermines government legitimacy, and threatens state security. In spite of recent anti-corruption efforts of intergovernmental and nongovernmental organizations (IGO/NGOs), Caribbean political corruption problems appear to be worsening in the post-Cold War period. This work discovers why IGO/NGO efforts to arrest corruption are failing by investigating the domestic and international causes of political corruption in the Caribbean.

• Sales Rank: #7275712 in Books
• Published on: 2009-06-11
• Released on: 2009-06-09
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .62" w x 5.98" l, .89 pounds
• Binding: Paperback
• 272 pages

About the Author
Michael W. Collier is the Research Director of Florida International University's Latin American and Caribbean Center.

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## PDF Ebook Collins Robert French Unabridged Dictionary, 8th Edition (Collins Language), by HarperCollins Publishers

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The Collins Robert French Unabridged Dictionary is simply the best French dictionary you can own. Here's why:

More than 820,000 entries and translations. The Collins Robert French Unabridged Dictionary gives you comprehensive coverage of both French and English and the most up-to-date business, political, and technical terms. Native French and English speakers worked side by side to create a balanced treatment of both languages and to make authentic and appropriate translations.

Most consistently updated. This edition has been extensively revised and updated to cover all the vocabulary of today's French, including new phrases and indicators. In addition, this Unabridged edition includes exhaustive coverage of key works, and full treatment of irregular forms of verbs, nouns, and adjectives to create the most complete and accurate picture of real language available today.

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• Sales Rank: #906372 in Books
• Published on: 2007-01-23
• Released on: 2007-01-23
• Original language: English
• Number of items: 1
• Dimensions: 10.50" h x 8.25" w x 2.75" l, 5.88 pounds
• Binding: Hardcover
• 2142 pages

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50 of 50 people found the following review helpful.
Content superior to the cover, however.
By P. J. O'Toole
I finally bought a real French-English dictionary, the Collins Robert is a treat after having struggled with a half-dozen paperback dictionaries over the years. After some significant online research, the purchase of the Collins Robert has proved to be an excellent choice. The sheer volume of translations is more than I'm used to -- and the format is pleasing, and it's, of course, very resourceful. As I look up words I can choose to dig in as much as I want, to sharpen my understanding, or not -- I read French every day, and the Collins Robert is the perfect companion. Only one minor problem, the publisher economized on the binding, which is more suited for a book half the size. Fortunately, in this case, you cannot judge this book by its cover - I recommend this dictionary for its content, not its cover.

33 of 33 people found the following review helpful.
The best French-English dictionary
By J.K.
When I found that my "student" dictionary lacked even the most basic cooking terms, I decided that I needed a really good French-English dictionary. So, I visited bookstores (in London, where the selection is better) and previewed every French-English dictionary I could find. The Collins Robert Unabridged 8th edition was the absolute best. Then, all I had to do was wait for the 8th edition to be published in the U.S. and eventually it was.

It is almost misleading to call this just a dictionary, given that the entries are so complete and the usage notes so numerous. Example: The entry for the verb "faire" runs about 39 column inches! The formatting (e.g., the judicious use of color and bold font) also makes this dictionary a joy to use. The only bad thing I have to say about this dictionary is that the version published for the U.S. market has a rather cheap, nonsubstantial binding. But since it's too big to carry around anyway, that's a minor flaw. If you need a good French-English dictionary, look no further -- this is the one.

28 of 30 people found the following review helpful.
Good content, bad binding.
By R. Pizzimenti
The Collins dictionaries are the best in the world for going between English and Romance languages. This dictionary is no exception. However, the absolutely shoddy binding that Harper in the US chose makes this edition a poor investment for the serious student of French. The two bookstores in which I have found this item all show tearing or damage on the paper-thin binding even from in-store browsing. When I ordered New from Amazon it arrived with the cover glue separating from the pages at the back. One could order this edition and have it rebound with proper material and workmanship, or purchase the older (2006) edition (blue cover) which has a binding that will stay in one piece. I love this dictionary and hope they resolve this in the next printing.

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## Ebook Pervasive Animation (AFI Film Readers)From Routledge

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This new addition to the AFI Film Readers series brings together original scholarship on animation in contemporary moving image culture, from classic experimental and independent shorts to digital animation and installation. The collection - that is also a philosophy of animation - foregrounds new critical perspectives on animation, connects them to historical and contemporary philosophical and theoretical contexts and production practice, and expands the existing canon. Throughout, contributors offer an interdisciplinary roadmap of new directions in film and animation studies, discussing animation in relationship to aesthetics, ideology, philosophy, historiography, visualization, genealogies, spectatorship, representation, technologies, and material culture.

• Sales Rank: #5295180 in Books
• Published on: 2013-07-15
• Original language: English
• Number of items: 1
• Dimensions: 9.80" h x 1.30" w x 6.90" l, 2.33 pounds
• Binding: Hardcover
• 392 pages

About the Author

Suzanne Buchan is Professor of Animation Aesthetics at Middlesex University, London. Her research investigates animation as a pervasive moving image form across a range of platforms and media. She teaches history, theory and aesthetics of cinema, digital screen arts, and animation, and she is active as a curator. Suzanne is editor of animation: an interdisciplinary journal. Her publications include The Quay Brothers: Into a Metaphysical Playroom (2011), Animated ‘Worlds’ (ed., 2006), journal and catalog essays, and chapters in scholarly collections.

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