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Written over the last 18 months of his life and inspired by his interest in G. E. Moore's defense of common sense, this much discussed volume collects Wittgenstein's reflections on knowledge and certainty, on what it is to know a proposition for sure.

• Sales Rank: #111549 in Books
• Published on: 1972-09-06
• Released on: 1972-09-06
• Original language: German
• Number of items: 1
• Dimensions: 8.00" h x .43" w x 5.31" l, .32 pounds
• Binding: Paperback
• 192 pages

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12 of 14 people found the following review helpful.
Investigation into the nature of knowledge
By C. Middleton
On face value, On Certainty is a surprisingly accessible Wittgenstein text, exploring the notions of epistemology (theory of knowledge) and scepticism (idea that true knowledge can be sought but cannot be found) or "knowing" and "doubting", however, the work, on closer examination, cleverly argues these positions in the epistemological tradition from clearly different perspectives, thus On Certainty is more complex than it appears.

Written in the last eighteen months of Wittgenstein's life (the last entry days before his death) it is a response to Moore's articles, `Proof of the External World" and "Defence of Common Sense". According to the editors, Anscombe and von Wright, Wittgenstein told Moore that these were his best articles.

In entry 83, Wittgenstein writes:

"The truth of certain empirical propositions belongs to our frame of reference".

This is a foundationalist argument, proposing that our knowledge of the world and its truth, belongs to our particular frame of reference - context is everything, underlying all our assertions.

Another perspective that Wittgenstein proposes is the position of Relativism: in this view there are no foundations or absolutes, truth changes with the times, circumstances and social conditions. He writes,

65: "When language-games change, then there is a change in concepts, and with concepts the meaning of words change."

Interestingly, relativism is the perfect tool for the sceptic, because knowledge is depended on time and circumstances, and therefore can be sought, but never found.

Doubt itself is depended on certainty, as one must hold a premise in order to reject it.

115: "If you tried to doubt everything you would not get far as doubting anything. The game of doubting itself presupposes certainty."

In fact this, really, is the core premise of On Certainty that knowledge can only exist if doubt is possible. Doubt relies on content of what we know, our frame of reference that is inherent in all our assumptions regarding existence.

Reading On Certainty is a stimulus for thought, pushing us to analyse our assumptions about knowledge, that truth depends on our concept frameworks through which we view the world.

Recommended to all students of contemporary philosophy.

19 of 73 people found the following review helpful.
Good for a laugh maybe
By Ross James Browne
Wittgenstein was a man who despised all things metaphysical and spiritual. He fancied himself a no-nonsense objectivist who would not be hoodwinked by false religious promises or tricked into seeing intangible ghosts. However, Wittgenstein's philosophy seems to have centered around a type of solipsism, which strikes me as the most outlandish, metaphysical, and fantastical philosophy imaginable. He refuses to acknowledge the existence of anything that he is not able to see before him; it is ironic that someone who so vehemently denies the existence of ghosts wants to regard nearly every being and entity on the face of the earth a ghost, if he is not there to see it. Wittgenstein has quite literally put the very existence of the concrete universe into question. Everything has become some type of hallucination, and is reduced to pure irreality when a subject is not present. This strikes me as a very metaphysical philosophy indeed. Wittgenstein's solipsism has spiraled out of control and taken on a life of its own. For him the self is everything; all so-called objective entities spring from the subjective self, leaving us with no real objctive reality or atomic facts at all. All we are left with is Wittgenstein, the self-appointed possessor, owner, and sovereign monarch of the known universe. None of us exist unless Wittgenstein invites us into his little world, and we cease to exist the moment we exit his field of vision. I, for one, take exception to this. Hey Wittgenstein: - I exist - get used to it - I'm here to stay - you cannot expel me from the universe - the world does not revolve around you! What could be more non-objective than denying the very existence of any and all objectivity? What could be more outlandishly speculative and fantastic than denying the conscious sentience of all other beings? Wittgenstein's solipsism has quite simply mutated into an astonishingly egotistical megalomania. This philosophy lacks common sense.
That said, I have nothing but the utmost respect for the intellectuals who are able to decipher this philosophy. It is an important and inevitable philosophic movement, and can be very helpful and informative with regards to how NOT to think. All philosophers must at least consider and come to terms with Wittgenstein's solipsism; we must work our way through this philosophy and find a way to transcend it. Regardless of your attitude towards this philosophy, I must recommend Brand Blanshard's great book, _Reason and Analysis_, as an eloquent respose to the philosophy of Wittgenstein. No one can be a true expert on Wittgenstein unless they are able to answer to the criticisms directed at his concepts. If you are ever going to be able to uphold this philosophy you must be able to answer to your critics and know what people on the other side are saying. If you read Blanshard's _Reason and Analysis_, you will be much better equipped to deal with Wittgenstein's detractors.

5 of 5 people found the following review helpful.
Honest but thin
By Kon E. Tampakis
This work captures some of Wittgenstein's last thoughts. If you are a student of this philosopher's work this is a msut have, I believe. However, it depends on earlier concepts to be understood, especially those found in "Philosophical Investigations". It is a very small book, with almost no commentary besides the origins of the original manuscripts, that Wittgenstein never published. If you are interested in the base text, without any commentary, this is for you. The fact that the original German text is given besides the english translation is also nice, because Wittgenstein's thoughts can easilt be misunderstood if translated badly.

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"I have no wish to play the pontificating fool, pretending that I've suddenly come up with the answers to all life's questions. Quite that contrary, I began this book as an exploration, an exercise in self-questing. In other words, I wanted to find out, as I looked back at a long and complicated life, with many twists and turns, how well I've done at measuring up to the values I myself have set."
—Sidney Poitier

In this luminous memoir, a true American icon looks back on his celebrated life and career. His body of work is arguably the most morally significant in cinematic history, and the power and influence of that work are indicative of the character of the man behind the many storied roles. Sidney Poitier here explores these elements of character and personal values to take his own measure—as a man, as a husband and a father, and as an actor.

Poitier credits his parents and his childhood on tiny Cat Island in the Bahamas for equipping him with the unflinching sense of right and wrong and of self-worth that he has never surrendered and that have dramatically shaped his world. "In the kind of place where I grew up," recalls Poitier, "what's coming at you is the sound of the sea and the smell of the wind and momma's voice and the voice of your dad and the craziness of your brothers and sisters...and that's it." Without television, radio, and material distractions to obscure what matters most, he could enjoy the simple things, endure the long commitments, and find true meaning in his life.

Poitier was uncompromising as he pursued a personal and public life that would honor his upbringing and the invaluable legacy of his parents. Just a few years after his introduction to indoor plumbing and the automobile, Poitier broke racial barrier after racial barrier to launch a pioneering acting career. Committed to the notion that what one does for a living articulates to who one is, Poitier played only forceful and affecting characters who said something positive, useful, and lasting about the human condition.

Here is Poitier's own introspective look at what has informed his performances and his life. Poitier explores the nature of sacrifice and commitment, price and humility, rage and forgiveness, and paying the price for artistic integrity. What emerges is a picture of a man in the face of limits—his own and the world's. A triumph of the spirit, The Measure of a Man captures the essential Poitier.

• Sales Rank: #2652167 in Books
• Published on: 2007-01-26
• Released on: 2007-01-26
• Format: Large Print
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .81" w x 6.00" l, .78 pounds
• Binding: Paperback
• 320 pages

From Publishers Weekly
Given the personal nature of this narrative, it's impossible to imagine hearing anyone other than Poitier, with his distinctive, resonant voice and perfect enunciation, tell the story. In his second memoir Poitier talks about his childhood in the Caribbean, where he was terribly poor by American standards, but quite happy, swimming and climbing all he could. One of eight kids, Poitier was sent to live with an older brother in Miami when he started to get into difficulties as a teen. But frustrated by his inability to earn a living and by the disparaging way whites treated him, Poitier left Miami for New York. There he worked as a dishwasher, started a drama class and launched a celebrated acting career that led to starring roles in such classics as To Sir, with Love and Raisin in the Sun. Poitier's rendition of these events is so moving that listeners will wish this audio adaptation were twice as long. Simultaneous release with the Harper San Francisco hardcover (Forecasts, May 1).
Copyright 2000 Reed Business Information, Inc.

From Library Journal
Winner of this year's Grammy for Best Spoken Word Album, this production is a delight in every way, with the narration by Poitier appropriately dramatic and mellifluous. The story of his meteoric and fated rise to fame as a successful actor respected by his peers almost belies his hardscrabble beginnings on Cat Island off the coast of the Bahamas. And the "lucky star" Poitier falls under is actually the common denominator among all successful people: a willingness to work harder, and an innate resourcefulness, including the ability to listen to one's own instincts and to move when the time is right. If this sounds philosophical, it is; the book is much more than another celebrity memoir. It is not only Poitier's reflection on a long life in the world of arts and entertainment but also a statement of his personal views on what it means to be a good man, honed in discussions with friends and fellow travelers on life's journey who were themselves of a philosophical frame of mind. Highly recommended. Mark Pumphrey, Polk Cty. P.L., Columbus, NC
Copyright 2001 Reed Business Information, Inc.

Review
“With the unwavering sense of dignity and worth . . .this man’s authenticity is earned by the life he describes.” (Los Angeles Times)

Reading The Measure of a Man is somewhat akin to having a worthwhile conversation with a revered older relative; he doesn’t always tell you what you want to hear, but you appreciate it just the same. (Washington Post)

An affecting new memoir. (Dallas Morning News)

In this powerful book, [Poitier] shares his touchsotnes with us and makes us question what foundations guide our own lives. (Ebony)

Revealing . . . Poitier invites us to re-examine his work and, through it, our history. (New York Times Magazine)

Candid memoirs from teh actor who has starred in more than forty movies, directed nine, and written four. (USA Today)

Reflective, generous, humane . . . moving . . .[Poitier] writes with vivid emotion. (New York Times Book Review)

Having already penned a book about his professsional life, legendary actor Sidney Poitier tackles a greater subject--life itself--with this new spiritual autobiography. (American Way)

Most helpful customer reviews

160 of 170 people found the following review helpful.
A Valuable Discourse
By Eric Wilson
Being a good little white boy, I knew little about Sidney, but felt respect for him as an actor due, in part, to my discovery of "The Defiant Ones" as a child. (The movie is a powerful work about racism, and I loved it.)

This spiritual autobiography is no judgmental, squeaky-clean depiction of walking with God, nor is it an in-depth detour into the tribal religions available to Sidney as a child in the Bahamas. This book is an open-hearted view of the circumstances and, more importantly, the values that guided Sidney Poitier to the pinnacle of acting. He candidly discusses his failures as husband and father. He speaks lovingly of the example his parents gave him. And he shows the power of holding to your integrity no matter the cost.

By holding to this integrity, Sidney lost some opportunities and also gained respect from the white community, while facing ridicule as a "sell-out" from his own community. What stands out in his story is his desire to bring these communities together with respect, refusing to be dragged down by the bigotry and anger of either side. He speaks powerfully, encouraging us to focus anger in a positive way.

Mr. Poitier writes in an eloquent, yet communicative style. At times, he borders on unfocused rambling, but even then he has worthy things to say. This book is a valuable discourse on never giving up on your goals, on reaching beyond yourself to be who you were truly created to be. Thank you, Sidney, for your time.

42 of 43 people found the following review helpful.
Glad to Be Alive
By Connecticut Reader
I grew up in the South and, when I was in high school in the early sixties, Mr. Poitier's two blockbusters, "Raison in the Sun" and "Lilies of the Field" came out. There was something about him, even then, that caught my attention. Who WAS this man? It always seemed he was a "thinker" - a "seeker" - a bit restless with himself.

I recently picked up The Measure of a Man and my curiosity made me read it. Who IS this man - I wanted at last to find out.

The book begins in Cat Island, the Bahamas where he was born and lived during his early years. As Mr. Poitier describes his youth, it is reflective and feels like an intimate fireside conversation with a friend talking about a loved one departed. There is gratitude and respect - a certain remorse for doing some "kid things" that are so hurtful to those you truly love - and a reexamination of some of the "truths" he was taught.

Then the autobiography goes from there onto other stages in his life where he interacts with the realities and the illusions of life and comes to a sense of who he is and what is important. I guess I expected more of a "success story" about someone who is obviously very accomplished. What I got instead was a very touching and poignant sharing of a personal journey of a man making his way through life - no better and no worse than anyone else - immune from neither happiness nor disappointment - but glad to be alive.

Because so much of Mr. Poitier's autobiography had to do with things both good and challenging that just showed up in his life, it reminded me of another book by Ariel & Shya Kane called Being Here: Modern Day Tales of Enlightenment. In Being Here, the Kanes talk about things that have happened in their lives in a very light way that demonstrates how they and we can experience life more fully and more deeply - by just "being there" for what's happening when it's happening.

I really enjoyed reading both of these books and recommend them

45 of 47 people found the following review helpful.
Great Actor - Gifted Author!
By annie
I would highly recommend this book to everyone. While I do not always enjoy autobiographies, this book is a great exception. It is not just filled with dates and facts. It reaches inside the man and into his very soul. From his beginning on Cat Island, to today's highly successful life as an actor, Sidney Poitier has had an incredible life. He was blessed early in life with the greatest blessing anyone can have - great parents! This book made me stop and think of all the many blessings in my life, too many of which I take for granted sometimes. I hope that everyone who reads this book, and especially young people, will benefit from his insight and wisdom.

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Never read. Complete with no missing, loose or damaged pages. Original binding is intact and undamaged.

• Sales Rank: #2202472 in Books
• Published on: 1971-06
• Original language: English
• Number of items: 1
• Binding: Paperback
• 361 pages

Most helpful customer reviews

10 of 11 people found the following review helpful.
Wonderful
By Girl Friday Reader
For serious and recreational scholars, this is one of the best books covering the fifteen year period before the Great War. Covering topics such as thought, economy, and the many crises that led to the "war to end all wars", it also covers the intimate details of the super-powers that a lot of books gloss over(unless this subject is covered based upon each country). The best thing about this book is that it is very readable.

4 of 5 people found the following review helpful.
Informative and not boring
By The Reviewer Formerly Known as Kurt Johnson
This book is part of The Rise of Modern Europe series, a series of books that trace the history of Europe from 1250 to 1945. This particular book was written by noted American historian Oron J. Hale (1902-1991), and covers the immediate pre-War years of 1900-1914. The book is very in-depth, covering such topics as land and population, technology and economic growth, and art and politics. Chapter ten focuses in on how Europe turned into an armed camp from 1907-1914, and chapter eleven focus in on the final 39 days leading up to the beginning of the war.

Now, with the breath and depth that this book covers, you would expect it to be overly dry and academic. In fact, the author does a good job of being very informative, and yet keeping the book from bogging down in minutiae. I picked up this book, hoping to learn a little more about pre-World War I Europe, and I must say that I was very pleased with what I got. If you want to read about Europe in 1900-1914, then I would suggest that you get this book.

0 of 0 people found the following review helpful.
True Historiography...
By Onesimus
*****

"Anyone can make history. It takes a great person to write it."

Dr. Hale's excellent little tome is pure historiography gleaned from primary sources, and composed with narratological clarity.

Earnestly endorsed.

*****

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In the New York Times bestseller An Altar in the World, acclaimed author Barbara Brown Taylor continues her spiritual journey by building upon where she left off in Leaving Church.  With the honesty of Elizabeth Gilbert (Eat, Pray, Love) and the spiritual depth of Anne Lamott (Grace, Eventually), Taylor shares how she learned to find God beyond the church walls by embracing the sacred as a natural part of everyday life. In An Altar in the World, Taylor shows us how to discover altars everywhere we go and in nearly everything we do as we learn to live with purpose, pay attention, slow down, and revere the world we live in. 

• Sales Rank: #7621 in Books
• Published on: 2010-02-09
• Released on: 2010-02-09
• Format: Deckle Edge
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .54" w x 5.31" l, .43 pounds
• Binding: Paperback
• 240 pages

From Publishers Weekly
Starred Review. Author of an acclaimed memoir (Leaving Church) and a gifted preacher, Taylor is one of those rare people who truly can see the holy in everything. Since everyone should know such a person, those who don't can—no, must—read this book, with its friendly reminders of everyday sacred. Taylor's 12 chapters mine the potentially sacred meaning of simple daily activities and conditions, like walking, paying attention, saying no to work one Sabbath day each week. Hanging laundry is setting up a prayer flag, for God's sake. Since Taylor, an Episcopal priest, no longer pastors a church, she can "do church" everywhere: in line at the grocery store interacting with the cashier, walking a moonlit path with her husband. Her candor is another of the book's virtues: she is a failure at prayer, and cannot explain why or how it is, or isn't, answered ("I do not know any way to talk about answered prayer without sounding like a huckster or a honeymooner"). Savor this book. (Feb.)
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Review
“This is the most completely beautiful book in religion that I have read in a very long time. Gentle, humbly crafted, lyrical, and deeply wise, Altar is Barbara Brown Taylor as she was meant to be, a pastor who understands that knowing God occurs in a place beyond theology.” (Phyllis Tickle, author of The Great Emergence)

“This book is the most practical but everyday mystical book I have read on spiritual practices.” (Kate Campbell, singer-songwriter)

“Elegant, wise, and insightful, this book is also sacramental: it mediates the life it describes.” (Marcus Borg, author of Jesus)

“An Altar in the World is about how faith can be both practical and sensuous.In Barbara Brown Taylor’s hands, the old division between heaven and earth is healed and both come alive. Your mind, your body and your soul will be well fed by this wonderful book.” (Nora Gallagher, author of Things Seen and Unseen and Changing Light)

“Taylor writes fluently, with an eye and ear for the striking image and memorable phrase. Many readers, especially the vast numbers of the “unchurched” but “spiritual,” will find support and useful counsel.” (Library Journal)

“[A] lovely book. One of the best-known preachers in the country offers equal amounts of wisdom and erudition spent longing for more meaning, more feeling, more connection.” (Booklist)

“Taylor’s spiritual reflections are original, bringing fresh air to her topics because her spirituality is steeped in everyday life while illuminated by the ancient Christian spiritual tradition.” (National Catholic Reporter)

“The author seems simply incapable of writing a bad book. . . . Taylor is a great gift to the Christian church. And this volume, which focuses on spiritual practices, simply adds to her growing reputation.” (Kansas City Star)

“Taylor is one of those rare people who truly can see the holy in everything. . . . Savor this book.” (Publishers Weekly (starred review))

“She’s deliberately exploring the turf where our feet hit the floorboards each morning - and where the day takes us into the world. Even if you’re not a Christian, you’ll find a wise friend in Barbara’s book.” (Read the Spirit)

“An Altar in the World is a delight to the eyes, mind and heart, a book I will certainly return to again at a later time, if only to remind myself of the spirituality of everyday living.” (America Magazine)

“Taylor serves up beefy soul food.. . . Though she did not write the book to speak to the economic crash, those suffering from lost jobs, homes and status will find plenty to feed thought and faith.” (Atlanta Journal-Constitution)

“A marvelous book. Barbara Brown Taylor’s honesty is so fantastic, and she writes with such wit, that this book is a delight to read and a profound experience .” (ExploreFaith)

“Leaving Church settled it for me that Taylor, as thinker and stylist, ranks with the best. The new book confirms that. . . . This book is not a page-turner. It’s a page-lingerer. I wore out a highlighter marking passages I want to read again.” (Dallas Morning News)

“Without denigrating altars in churches, Brown helps us discover and honor all the ‘altars in the world’--the red Xs that mark the spot, but that we cannot see because we are standing on them. She does so with a depth that readers will appreciate and savor.” (—U.S. Catholic)

“…[H]er honest elegance... express[es] truths that throw open windows in our everyday lives–allowing fresh perspectives on life. You’ll finish her book with dozens of pages folded over or marked in some other fashion so you can find and re-read favorite lines again.” (Read the Spirit)

“Barbara Brown Taylor is a favorite among church members who struggle to connect the sacred and secular, the heavenly and the earthly. These readers appreciate the candor with which she writes about it.” (Raleigh News and Observer)

“Overall… if one can read Taylor’s insights reflectively, with an eye toward Scripture, Altar will serve as a refreshing reminder that the physical world is designed to help us experience the spiritual one.” (ChristianityToday.com)

“Barbara Brown Taylor penetrates the religious clutter. She comforts. She revives our spirits. With lovely words she finds ‘alters in our world.’” (The Congregationalist)

“While I don’t like long books, this one could have been 500 pages longer with no complaints from me.” (Christian Science Monitor)

From the Back Cover

In her critically acclaimed Leaving Church ("a beautiful, absorbing memoir"—The Dallas Morning News), Barbara Brown Taylor wrote about her experience leaving full-time ministryto become a professor, a decision that stretched the boundaries of her faith. Now, in her stunning follow-up, An Altar in the World, she shares how she learned to encounter God far beyond the walls of the church.

Taylor reveals meaningful ways to discover the sacred in the small things we do and see, from simple practices such as walking, working, and prayer. Something as ordinary as hanging clothes on a clothesline becomes an act of meditation if we pay attention to what we're doing and take time to notice the sights, smells, and sounds around us. Making eye contact with the cashier at the grocery store becomes a moment of true human connection. Allowing yourself to get lost leads to new discoveries. As we incorporate these practices into our daily lives, we begin to discover altars everywhere we go, in nearly everything we do. Through Taylor's expert guidance and delicate, thought-provoking prose, we learn to live with purpose, pay attention, slow down, and revere the world we live in.

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218 of 220 people found the following review helpful.
Getting To "No": The Joy Of Reading Barbara Brown Taylor
By Foster Corbin
Barbara Brown Taylor, Episcopal priest, professor of religion, and author of LEAVING CHURCH, a book that resonated with many of us, in her latest work, AN ALTAR IN THE WORLD, does what she does so well: she gives advice and counsel to those both inside and outside the church on how to become more human and have a richer spiritual life. She reminds us that we need not travel to the shrines of seers in foreign lands but rather that we cannot see the red X that will free us because we are standing on it. In 12 chapters the author covers vision, reference, the Sabbath, physical labor, vocation, prayer-- a different topic for each chapter. One of the things so endearing about Taylor's writing is that she is so brutally honest about herself, revealing details about her life that many people would never talk about: that she shakes hands like a man, that she may like Bombay Sapphire gin martinis too much, that she is a "rotten" godmother, for instance. The most surprising thing I learned about her is that Taylor considers herself an introvert. I would never have suspected that. In addition to her forthrightness, Taylor, an English major somewhere in her studies, always writes eloquently so it is easy to wallow in her words. She is just as much at home quoting Wendell Berry or Rumi as the Old Testament character Job. There are so many beautiful passages here chockfull of truths: her account of when she was seven, watching falling stars with her father from whom she learned reverence as well as her description of the first church she loved, in the Ohio countryside, where the pastor "was the first adult who looked me in the eyes and listened to what I said. He was the first to tuck God's pillow under my head." (You can tip your hat to that image as it is so beautiful!) Many of us were fortunate to have such a person in our lives as well. And we could pick out of a church lineup-- or maybe not-- the lone woman Taylor encountered polishing silver in the sacristy at a church in Alabama merely by Taylor's description of her as a "pulled-together woman."

Although the author gives a whole litany of the things that Episcopalians bless ("The Episcopalins are fools for blessing things"), she left off pets and fleets of ships. (I'm not sure, however, that I'm ready to bless my bathroom or read a poem aloud to a tree yet.) But Taylor is not about words but practices, encouraging her readers to get off the porch-- except on Sabbath-- and do something. She is dead on in her comments that we should at least make eye contact with the grocery store cashier (we don't have to invite her to dinner) and learn to say "no," in my favorite chapter: "The Practice of Saying No: Sabbath." Her admonishment that we do absolutely nothing on the Sabbath, not even driving our cars or turning on our computers, is well worth trying to do. We are so busy that we miss what is really important. Finally, Taylor via Brother David Steindl-Rast, an Austrian Benedictine, "recognizes the sacramental value of a homegrown tomato sandwich." For that statement alone, they both can be my spiritual advisors.

Whether you worship within a community or, in the words of Emily Dickinson, "keep the Sabbath staying at home"-- or keep the Sabbath not at all-- you will find much truth here, that if followed, should make you come closer to being a human being, or as Taylor says, "should "give you more meaning, more feeling, more connection, more life."

AN ALTAR IN THE WORLD cries out to be mulled over again and again. Of course reading this writer is always a joy.

91 of 92 people found the following review helpful.
An uncomfortable glimpse at the subjective turn in spirituality
By Will Barto
The author is a well-known Episcopal priest, teacher, and author. She was recognized in 1996 by Baylor University as one of the most effective preachers in the English-speaking world and received the Emory medal in 1998 for distinguished achievement in education. She is a remarkable story-teller and I have always enjoyed her sermons.

Her most recent writings have a very different feel to them and are more like collections of essays than the sermon collections of the past. Taylor wrote a memoir of her shift from parish ministry to teaching in a book entitled “Leaving Church,” and her latest work is “An Altar in the World: A Geography of Faith.” These later works seem to target the “spiritual but not religious” segment of the reading public and are filled with the same skilled prose that marked her earlier writings.

“An Altar in the World” reviews a variety of spiritual practices with the laudable goal of showing the reader that “the treasure we seek requires no lengthy expedition, no expensive equipment, no superior aptitude or special company.” For the author, “there is no spiritual treasure to be found apart from the bodily experiences of human life on the earth.” She states, “If you have run out of breath yourself—or out of faith—then this book is for you.” Her hope for the book is that it will help the reader “recognize some of the altars in this world—ordinary looking places where human beings have met and may continue to meet up with the divine More that they sometimes call God.”

Taylor is very comfortable writing about themes in spirituality from a progressive viewpoint. In an interview given in 2000, she observed, “I am on the edge of Christianity, and I expect to get a letter telling me I’ve been kicked out any day. But my choice, at this point in my life, is to practice the religion of Jesus instead of the religion about Jesus.” And yet I perceive that by moving to what she calls the “edge” she has lost some of her distinctive voice and fallen in with the largely homogenized voices of progressive Christianity. By striving to become edgy she has become—somewhat ironically—conventional.

I think that a certain text from this work provides a litmus test of how you will feel about the book. Take a look at the following extract from the essay, “The Practice of Wearing Skin”:

“One of the most remarkable conversations I have ever had about the physics of divine love took place in a far country, where a male colleague and I were involved in a month-long service project. We were done with our work for the day. We were enjoying a good dinner over a bottle of equally good wine. After two glasses of it, the conversation turned to our physical attraction—not for each other, but for God. Sometimes, he said, when he was preaching a sermon he really cared about, he grew so aware of God’s presence that he became physically aroused. He rose to God’s presence as to the presence of the Beloved. His sense of spiritual intimacy flowed straight into his sense of physical intimacy. They were not two but one. He was not two but one. He and God were not two but one.

“Inspired by his divine audacity, I allowed as how I had experienced the same thing myself, although with different physical equipment. Sometimes when I was praying, my body could not tell the difference between that and making love. Every cell in my body rose to the occasion, so that I felt the prayer prick my breasts and warm my belly, lifting every hair on my body in full alert. Body and soul were not two but one. I was not two but one. God and I were not two but one.”

If you find this passage to be exciting and in the best tradition of St. John of the Cross and St. Teresa of Avila, then I think that you will like this book very much. If you are more skeptical about this bit of sharing and think it has more in common with “Eat, Pray, Love,” than with the biblical spirituality of, for example, the Song of Songs, then I recommend that you skip this book in favor of the author’s earlier work.

My goal for this review is to alert the potential reader of this book that the author is in a very different place than when we first met her in “The Preaching Life” or “When God was Silent,” and I am not yet persuaded that this represents a good change. I, for one, lament the loss of the “homiletical restraint” espoused in the author’s earlier work. I know that I am swimming upstream with this review! If you are tempted to move the cursor toward a “not helpful” vote for this review, please consider leaving a comment instead and begin a conversation with me about this author. Or do both. I frequently revise my reviews in light of reader comments and welcome the interaction.

84 of 85 people found the following review helpful.
Spiritual Practices for Everyone
By Diana Butler Bass, Ph.D.
In recent years, Christians have become more aware that theirs is a faith based in practices--the things we do in the world for the sake of God's beauty, justice and love. In this book, Barbara Brown Taylor opens the language of practice to extend far beyond the walls of the church and directs us to the practices that frame everyday human experience. She finds the divine in all things and invites her readers to intentionally participate in the interplay of the sacred in daily life. In many ways, it is a contemporary version of Brother Lawrence's classic book, "Practicing the Presence of God." As such, Barbara Brown Taylor models how theological reflection is not an arcane or ivory tower exercise. Rather, thinking theologically about our bodies, the ground on which we walk, the laundry that we do, is a holy calling for all people. This is a lovely book, one well-suited for personal growth and for reading groups.

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The consumption and distribution of food, as well as its production, has become a major public policy issue over the past few decades; what we eat is no longer merely a private matter but carries significant externalities for wider society.  Its increasing significance within the public arena implies a dissonance regarding the boundaries of food; where do we draw the line between food as private and food as public?  What are the rights of society to impinge upon individual food consumption, and what conflicts will ensue when this boundary is disputed? 

The Consuming Geographies of Food explores these multiple issues of food across different regions of the world from the consumer’s perspective.  It uniquely explicates the factors that lead customers towards certain typologies of consumption and towards certain types of retailing, offering a comprehensive review of the obesity problem, the phenomenon of food deserts and the issue of exclusion from a healthy diet. It then considers the effects of food on the consumer, the dynamic relationship between food and people, and the issue of food exclusion before concluding with possible futures for food consumption, from low-technology projects to high-technology scenarios. 
Based on original research into food access, ethics and consumption in both developed and less-developed countries this book will be of interest to students, researchers and academics in the fields of geography, economics, hospitality health, marketing, nutrition and sociology.

 

• Sales Rank: #2798298 in Books
• Published on: 2014-05-07
• Original language: English
• Number of items: 1
• Dimensions: 9.30" h x .80" w x 6.10" l, 1.15 pounds
• Binding: Hardcover
• 210 pages

About the Author

Hillary J. Shaw is a Senior Research Fellow at the London School of Commerce and Managing Director of Shaw Food Solutions. His research interests include food security, sustainable development and food access. As well as leading a range of consultancy projects, he has been invited to speak at many international conferences and has published widely in the areas of food, health, diet and corporate social responsibility.

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^^ Free PDF Ecology and Environment in European Drama (Routledge Advances in Theatre and Performance Studies), by Downing Cless

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Looking at European drama through an ecological lens, this book chronicles nature and the environment as primary topics in major plays from ancient to recent times. Cless focuses on the few, yet well-known plays in which nature is at stake in the action or the environment is a dramatic force. Though theater predominantly explores human and cultural themes, these plays fully display the power of the other-than-human world and its endangerment during the history of Europe. While offering a broad overview, the book features extensive case studies of several playwrights, plays, and eco-theater productions: Aristophanes’ The Birds, Marlowe’s Doctor Faustus, Shakespeare’s A Midsummer Night’s Dream and The Tempest, and Giraudoux’s The Madwoman of Chaillot. In each case, Cless connects nature in the play to nature in the life of the playwright based on biographical research into the understanding of natural philosophy and awareness of the immediate environment that influenced the specific play. The book is one of the first of its kind in a growing field of ecocriticism and emerging eco-studies of theater.

• Sales Rank: #3585577 in Books
• Published on: 2011-08-18
• Released on: 2011-08-18
• Original language: English
• Dimensions: 9.00" h x .55" w x 6.00" l, .85 pounds
• Binding: Paperback
• 244 pages

Review

"This newest addition to Routledge’s Advances in Theatre & Performance Studies series opens up a new, greener understanding of familiar works. As the first book-length ecocritical study of Western European drama, it contributes to a growing and lively discourse in theatre, performance and ecology… Cless is the first, however, to turn the light of ecocriticism back upon the earliest dramas of the canon, illuminating how these plays speak to the complex and multifaceted human/nature relationship." –Theresa J. May, Theatre Journal

"This is a bold and successful attempt at a comprehensive history of Western eco-theatre...Cless makes a convincing case for the value of eco-critical approaches to theatre, and he presents surprising and exciting insights, especially in the chapters on Aristophanes, Marlowe, and Shakespeare. After Cless's hardworking - witness also the useful, thematically arranged bibliography - and path-breaking book, we can confidently continue to advance in this direction." Jan L. Hagens, Text & Presentation Drama Conference Series

About the Author
Downing Cless is Associate Professor of Drama at Tufts University.

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Crystal-clear and comprehensive yet concise, this text describes the steps involved in the curriculum design process, elaborates and justifies these steps, and provides opportunities for practicing and applying them. The description of the steps is done at a general level so that they can be applied in a wide range of particular circumstances. The process comes to life through plentiful examples of actual applications of the steps. Each chapter includes:

• examples from the authors’ experience and from published research
• tasks that encourage readers to relate the steps to their own experience
• case studies and suggestions for further reading that put readers in touch with others’ experience

Curriculum, or course, design is largely a 'how-to-do-it' activity that involves the integration of knowledge from many of the areas in the field of Applied Linguistics, such as language acquisition research, teaching methodology, assessment, language description, and materials production. Combining sound research/theory with state-of-the-art practice, Language Curriculum Design is widely applicable for ESL/EFL language education courses around the world.

• Sales Rank: #391391 in Books
• Published on: 2009-08-22
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .51" w x 6.00" l, .75 pounds
• Binding: Paperback
• 240 pages

Review

"Nation and Macalister have prepared a comprehensive book on curriculum design with extensive coverage of a variety of issues involved. The important message of this book is that every stakeholder in language education is a curriculum designer. Language Curriculum Design can empower them to play this role." ―Teachers College Record

"This book offers a broad understanding of the process in a clear and comprehensive, yet concise package that―along with the model itself―can confidently guide users at the classroom and program level through the complex activity of language CD."―Leigh McDowll, Nara Institute of Science and Technology, JALT Journal

About the Author

I.S.P.  Nation is Professor in Applied Linguistics at Victoria University of Wellington, New Zealand. In addition to books, his extensive list of publications on teaching and learning vocabulary, language teaching methodology, and curriculum design, includes journal articles, book chapters and book reviews. He has taught in Indonesia, Thailand, the United States, Finland and Japan.

John Macalister is Senior Lecturer at Victoria University of Wellington, New Zealand. He specialises in the fields of language teaching methodology and curriculum design and draws on experience in teacher education and curriculum design in Thailand, Cambodia, Kiribati, Vanuatu and Namibia.

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12 of 12 people found the following review helpful.
Helpful but wordy
By MJMCI
I have several of ISP Nation's English language teaching texts including this one. Nation (often with co-authors, in this case with John Macalister) is a well respected and practical expert in the ESL/EFL/TESOL field. His ideas are always sound and backed up with loads of knowledge about the research findings of many others. He is focussed on principles of language teaching and very critical of the many texts not based on research and current knowledge. For example most texts deal with opposites and morphologically and phonologically similar words together, but Nation points out research that indicates that this can be a source of interference in learning and remembering new vocabulary.

This text is extremely practical and covers all the essential considerations that need forethought and attention when designing a language curriculum. Nation does not recommend a single approach that could be "grafted on" to any existing language teaching and learning situation. The chapters are well-sequenced and contain much helpful advice and many suggestions and ideas for class use. He is blunt about some of the failings of many published course books intended for the language learner.

One quibble I have is with the text itself. In some places it reads as if it were dictated as the sentences ramble on where a couple of short sentences would be clearer. I am an experienced language teacher but found myself having to read some paragraphs aloud to myself in order to be clear about what is the important part of the message. Some careful editing would make the book easier to read and the content easier to grasp. (But it is better than another of Nation's texts: Learning Vocabulary in Another Language which really needs severe editing.)

Another minor quibble is that, as with many references for English language teachers, the examples look mostly at the needs of English learners living in English speaking countries. For those of us working in NES countries it is easy to feel a little overlooked.

But, in general, this text is as helpful as anything I have found for the English language teacher.

6 of 6 people found the following review helpful.
Curriculum design made approachable
By Emilia
Language Curriculum Design is a concise, easy-to-follow guide to curriculum design using the latest research. Teachers will find this useful for both ESL and EFL/TESOL contexts among others, and suitable for many different types of teaching. The chapters are short, yet full of useful information for both theory and practice. And bonus, it arrived very promptly!

2 of 3 people found the following review helpful.
A Clear Voice in the Debate
By ARWoollock
It is important to remember that there are no hard-and-fast rules when it comes to teaching, and certainly not language teaching. Whichever of the main varietals you work with TEFL/TESL/TESOL/LOTE etc. you are always going to find things that don't work, that do work - and then don't work. Teaching any language is a fluid practice that has as much to do with the learners' attitudes/desires/culture/characters/predispositions/fears as it does with the nuts-and-bolts of grammar and syntax.

That established, however, there are certain 'ground rules' - certain mainstays that can give the novice a strong foundation upon which to build - and this texts presents those in a clear, concise, precise and ultimately very readable format. The book is well designed and the kind of reference resource that allows the reader to interact with it, put it down and then come back. The tone of the text is respectful, professional and not at all condescending - so it should suit both those experienced in the field and those new to it too. The chapter lengths are perfect, not too long and cover most bases.

If there is a criticism, then I would say that there needs to be more attention paid to progressive paradigms. Whilst there is a chapter on 'negotiated syllabi' (not syllabuses!!!) As an experienced professional, myself, I personally would have liked a couple more chapters on alternative/democratic/critical/emancipatory approaches to curriculum design - maybe that would be an idea for a follow-up text. The aforementioned said, clearly the book is a practical 'hands-on' life-raft for those charged with language curriculum design and perhaps my area of interest would cause confusion for newcomers.

To summate, an excellent book on a potentially dry topic, clear and concise, lots of food for though and yet lots of confirmations too. A valuable reference for any education professional charged with curriculum development - regardless of your discipline.

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In asking "Who, as a writer, am I?", E.E. Cummings's affirmation of life resolved into serenity as he described himself as someone "whose only happiness is to transcend himself, whose every agony is to grow." This collection of Cummings reading his own poetry embodies this in an unforgettable way.

While perhaps best remembered for his use of such visual devices as typography and punctuation, the sheer sound of Cummings's work imparts a greater, deeper understanding of how its cadences reveal its profound meaning. This rich sampling of his poems is rendered in what the great Robert Graves called Cummings's "own beautifully modulated voice."

• Sales Rank: #3043878 in Books
• Published on: 2007-07-24
• Released on: 2007-07-24
• Formats: Audiobook, Unabridged
• Original language: English
• Number of items: 1
• Dimensions: .26" h x 5.28" w x 5.54" l, .15 pounds
• Binding: Audio CD

About the Author
e.e. cummings (1894-1962) was born in Cambridge, Massachusetts. After earning a B.A. and M.A. at Harvard in Latin and Greek, he went to France as a volunteer ambulance driver with the French army during World War I. The majority of his life was spent writing poetry and painting in New York's Greenwich Village.

e.e. cummings (1894-1962) was born in Cambridge, Massachusetts. After earning a B.A. and M.A. at Harvard in Latin and Greek, he went to France as a volunteer ambulance driver with the French army during World War I. The majority of his life was spent writing poetry and painting in New York's Greenwich Village.

From AudioFile
This compilation of poetry read by the author is indeed essential listening for those who love his work. The poet, known for his lowercase letters and quirky phrases, shares his natural phrasing and original cadences. He reads slowly, deliberately. Even a line like a hero equals any jerk who is afraid to dare to answer no is read solemnly, with cummings lingering only over the word jerk revealing the merest hint of humor. Cummingss quizzical introspections on various topics are filled with his questioning and idiosyncratic imagination. Put on this CD for a crowd of poetry lovers and host a night of singular performance by a beloved American poet. Or hoard its singularity for your personal listening pleasure. R.F. © AudioFile 2008, Portland, Maine-- Copyright © AudioFile, Portland, Maine

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6 of 6 people found the following review helpful.
The author delivers his poetry
By C. A. Pedriana
What a treat! EE Cummings reads his poetry in this short audio book. His poems are so full of life and layers of meaning. Listening to him adds an additional layer of enjoyment as well.

4 of 5 people found the following review helpful.
E.E. Cummings:The Poet Speaks
By Boof
Cummings is among those authors who add significantly to the average poetry lovers ability to penetrate the poets meaning by hearing him read. A sheer delight!

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